Boston: L.C. Page, 1909. Original light green fine ribbed cloth bordered in blind, gilt lettered, colour pictorial label on front cover. pp viii. 367, (1, blank), 4, 4, ads + colour frontispiece with captioned tissue guard. Rear cover has three small brown spots; spine lightly darkened and lightly rubbed at ends; page edges yellowed; bump to one corner; light rubbing to cover label; 28 Dec., 1909, Canadian ink gift inscription at front; tanning to front endpapers from something once laid in; otherwise a VG clean, tight and unworn copy, no owner names. A respectable copy of the second Anne Shirley novel, published Sept. 1909, following the classic ANNE OF GREEN GABLES of the previous year.; Octavo

Wilson's Publishing Company & APMIST Enterprises, 1996. Maroon marble pattern boards. #983 of 1000 copies. Facsimile of the rare Myles 1878 original. Fine copy. 2 kg parcel. 45x39x4. Note: large heavier book, extra shipping will be required. ; Folio

Santa Barbara, CA: Black Sparrow Press, 1983. The deluxe issue, #18 of 226 copies handbound by Earle Gray and signed by the editor. Blue cloth spine with paper label and colour pictorial boards, in original acetate wrapper. Fine copy. ; Octavo

Oxford: Clarendon Press, 1965. Twelve volume set. Red cloth, some plates. Fine copies. The cream dust jackets have tears to bottom spine fold to two volumes, one volume has nicks to ends of slightly darkened spine, VG or better otherwise. A nice set of this mammoth compilation (over 14k letters). Note: heavy parcel, extra shipping will be required. Shipping outside of North America will be very expenpensive indeed. Some individual volumes are available from the publisher at $420-480 each (2023). ; Octavo

Toronto: Hart & Company, 1891 [for 1890]. Light green cloth spine, olive green cloth sides, lettered & decorated in gilt, top edges gilt. [8], 208 pp. Small red spot to lower inner front cover; spine a little darkened, with nicks at head, gilt lettering dulled; Xmas 1890 ink owner name; else a VG clean and unworn copy. Poetry by a minor Canadian poet of some importance. Watters p. 86.; Small octavo.

Cambridge University Press, 1992. Printed boards without jacket, as issued. Fine copy. 1.05 kg parcel; Octavo; (x), 377 pages

Regina: Hand Art Moving and Storage Co, 1991. Brown boards. Fine in fine jacket. Colour reproductions.; Quarto; 63 pages; Signed by Author

Porters Lake, Nova Scotia: Pottersfield Press, 1983. Stapled in glossy card covers. Alden Nowlan Tribute Edition. Interview with Nowlan, poems by Milton Acorn, many others.; Quarto; 52 pages

Zürich: JRP / Ringier, 2014. Exhibition catalogue: Christopher Orr - The Beguiled Eye (Talbot Rice Gallery, Edinburgh 15 November 2014 - 14 February 2015). Glossy colour boards. Fine copy; Octavo; (64) pages

Frederiction, New Brunswick: Fiddlehead Poetry Books, 1976. pp 16, stapled, in orange card coves. Fine copy. Edition of 500 copies. Poetry. ; Octavo

Frederiction, New Brunswick: Fiddlehead Poetry Books, 1972. 52 pp, stapled in cream card covers. Fine copy. The Montreal poet's third book.; Octavo

Frederiction, New Brunswick: Fiddlehead Poetry Books, 1971. 32 pp, stapled, in beige card covers. Fine copy. Edition of 500 copies. Montreal author's second book. One of the better Canadian poets. ; Octavo

Toronto: 1990. Stapled in orange card covers. Edition of 100 copies. Fine copy. A prose piece. Curved H&Z 405; Octavo

London: Macmillan, 1972. pp (80. Notes, bibliography, index. Text paper yellowed as always, ink owner name at front, VG otherwise. Not issued in hardcover. Publisher's Studies in Economic History series. Note: lighter parcel, any default postage rate may be reduced. (300 gm); Octavo 0333099257

San Francisco: Chronical Books, 2014. Grey lettered linen with wraparound band, two bound-in ribbon markers, without printed jacket, as issued. Colour illustrations. Fine copy. "What exactly is a book? This wildly inventive and thought-provoking volume asks that question of more than 30 of today's top creative visionaries, from Ed Ruscha to Miranda July, John Baldessari to Jonathan Lethem. Each traditional element of a book-from endpapers to footnotes-is assigned to a different artist or writer invited to use the space as a creative playground. The result is a collaborative group art project like no other. A ribbon bookmark by David Shrigley, page numbers by Tauba Auerbach, endnotes by Rick Moody-each contribution surprising and brilliant. "; Quarto; 156 pages

Toronto: Artist, no date. Colour aquatint, image size 11.5 x 13.5 cm, signed by the artist in pencil in the lower margin. Matted. Fine. Hornyansky was a noted Hungarian-Canadian painter in oil and watercolour, engraver, printmaker, and etcher. He settled in Toronto. A lovely winter image in blue and black.

New York: Modern Library. Maroon boards. Fine copy. Price-clipped jacket has a couple nicks, spine lightly darkened, near fine otherwise. 1.4 kg parcel; Octavo

Cambridge University Press, 1996. Navy boards. Fine in fine jacket. ; Cambridge Monographs on Mathematical Physics; Octavo; xvi, 321 pages