London: Foulsham, for The Fireside Press, 1962. Dark blue boards. pp 200 + frontispiece portrait and other plates. Fine in fine, price-clipped jacket.

Toronto: Henry Frowde, 1911. Octavo, green cloth stamped in black and gilt. pp [2], x, 344. Spine a bit sunned, yellowing to page edges, small ink name at front, else a near fine copy. Made from UK sheets. Bleiler De Morgan was the leading ceramic artist of the Arts and Crafts Movement and a long-time friend of William Morris who became a successful novelist later in life. Supernatural interest. A painted porrait which spoke? Pokes fun a psychic researchers. Bleiler (1978) p 60. A scarce issue.

New York: Dutton, 1930. Red patterned cloth lettered in black. pp 316, [2]. Spine lightly darkened, else a VG clean and unworn copy, no owner names. A fantasy novel. "An ordinary man, suddenly becoming prescient, makes money on the Stock Exchange, but is doomed by personal flaws; and after his gift deserts him has one final vision: of himself as a suicide." - SFE / The Encyclopedia of Science Fiction. AMICUS locates this American edition at LAC only.

New York: View Editions / Vanguard Press, 1945. Black cloth. Light damp spots to upper outer front cover, yellowing to page edges, else fine, no owner names. Dust jacket (art by Kurt Seligmann)) has light rubbing; rear panel has a one inch tear and light dust soiling; tiny chips to spine ends; VG otherwise. Book designed by Parker Tyler. Short stories by Henry Miller (2), Miguel Asturias, Clay Perry, Giorgio di Chirico, Paul Childs, Montagu O'Reilly, Ramon J. Sender, Leo Poch, Lydia Cabrera, Leonora Carrington (2), Paul Bowles (at age 8 plus 2 translations), Alva N. Turner, and Raymond Roussel. Illustrations by Alexander Calder, Pavel Tchelitchew, Yves Tanguy Man Ray, Klee, Ernst, others.

New York: Viking, 1963. Cream and light blue cloth, green top page edges. Slight sunning to green top edges, else fine, now owner names. Dust jacket has just a touch of rubbing to tips of ends of only faintly yellowed spine; light dust soiling to white rear panel; else fine. An unusually nice copy of this collection of four stories, some with fantasy elements.

New York: Walker, 1969. Black boards, pink top page edges. Page edges tanned, as usual, else fine in fine jacket, flap price intact, no owner names. Jacket art by Jack Gaughan.

New York: 1960. Mass market paperback, Ace Double D-413. Very small splits to spine folds at ends, very small chip to top inner corner of THE MAN WITH NINE LIVES; small abrasion to lower inner corner of A TOUCH OF INFINITY, with a tiny corner chip and corner crease to first leaf of same; VG clean copy otherwise. Note: lighter parcel, any default postage rate may be reduced.

Toronto: William Briggs, 1891. Octavo. Blue bevel-edge decorated pebble grain cloth stamped in black, blind and gilt. (4), iv, (3)-634, (2) pp. A fine, lovely, extraordinarily nice copy. Algernon Blackwood's THIRD APPEARANCE IN PRINT. In Toronto for a time as a "remittance man", Blackwood started his writing career as a journalist. He published 6 signed articles in this Canadian Methodist perodical between Dec., 1890 and June, 1893, and the present half-year volume contains the third of the six. The title of his first appeara nce in print, in the Dec. 1890 issue, was "Christmas in England". Note: 1.5 kg parcel, extra shipping may be required.

San Francisco: Underwood / Miller, 1983. Pictorial cloth without jacket, as issued. pp (152). Illustrated. Fine copy. There were 500 copies in hardcover. This is one of the 300 regular copies, and though not called for, it is SIGNED BY ZELAZNY on the title page.

London: Herbert Jenkins, 1969. Dark blue boards. Former private owner's large rubber stamp to the title page, small soft bruise to lower outer corner of front cover, else fine. The thin dust jacket has rubbing to foot of spine, else fine, flap price intact. A gothic novel set in Washington, D.C.'s Georgetown district.

New York: DAW, 1985. Octavo, black cloth & boards. Text paper lightly toned, as usual, else a fne copy. Dust jacket has creases to the surface lamination along the spine (manufacturing flaw), else fine, flap price intact. INSCRIBED BY THE AUTHOR.

Boston: Houghton Mifflin, 1988. Black cloth & boards. Fine copy. Price-clipped dust jacket has minor rubbing, near fine. The Easton Press edition preceded by one week.

Leipzig / New York: Theodor Weicher / Baker & Taylor, 1909. Red cloth. pp (xii), 320 + frontispiece and 2 plates. Spine sunned with gilt lettering dull; bruises and small tears to lower edge of front cover; ink initials at front; page edges yellowed; bit of wear to outer corners; VG otherwise. A yellow peril imaginary war novel involving a Japanese invasion of America in which the Pacific Fleet is destroyed and Japanese and Chinese-Americans rise up in rebellion. One plate shows American artillery vs Japanese dirigibles fighting it out over Oregon. A detailed, highly racist story according to Clareson. Reginald 6253, Bleiler (1978) p 154, Clareson, SF in America p. 134. Original German edition was in 1908.

London: Faber, 1983. Author's third novel. Tan boards. Fine in fine jacket. "Following a decade of silence, Ingalls began to produce works which boldly wed an absorption in the subtle nuances of quotidian experience with a strain of eerie, exalted fantasy. MRS CALIBAN (1982) and BINSTEAD'S SAFARI (1983) both evoke the conflicted romantic coupling of a bored, alienated housewife with a supernatural entity -- a froglike humanoid in the former book, a shapeshifter tribal shaman in the latter." - Clute and Grant (eds), The Encyclopedia of Fantasy (1997), p. 499.

New York: Poseidon Press, 1988. Cloth & boards. Fine copy. Jacket has slight yellowing to flaps, else fine. Author's first book.