Toronto: Red Rock Publishing, 1977. Squarish quarto, brown boards. pp (x), 156, (2). 1978 ink gift inscription at front, else fine in VG jacket. Note: 1.5 kg parcel, extra postage may be required.

Toronto: Red Rock Publishing, 1977. Squarish small quarto, hardcover, brown boards. pp (x), 156, (2) + colour plates; black & white reproductions in text. Fine copy, no previous owner names. Dust jacket has light sunning to brown spine lettering, else fine. Author was the daughter of important Canadian painter Arthur Lismer. Note: 1.5 kg parcel, extra postage may be required.

Vancouver: J.J. Douglas, 1977. Black cloth. pp 126; index, colour and b&w reproductions. Fine copy. Jacket has rubbing and small chips to spine ends, small chips, short tears, to panels; VG otherwise. Acclaimed Cree painter from Saskatchewan. 1.25 kg parcel

Ottawa: Canadian Paperbacks Publishing, 1975. A later printing of the first edition. Small sticker scar on front cover, spine yellowed, VG otherwise, no owner names.

Toronto: Macfarlane Walter & Ross, 1990. Octavo, grey boards. pp (14), (258), [2]. Ink gift inscription at front, else fine in fine jacket.

Toronto: Clarke, Irwin, 1967. Thir d edition. Blue cloth. Endpaper maps. pp xiv, 177) + 8 colour plates inserted, 7 of which are double-sided. Fine copy. Jacket has some rubbing to foot of spiine, spine and flap folds, still VG. First published 1958, reset and reprinted in 1963, this third edition adds a new introductory note by Jackson, 4 plates, and one new chapter. Jackson was one of the original Group of Seven, probably the most important group of Canadian painters of the 20th century, certainly the most popular.

Toronto: Clarke, Irwin, 1967. Thir d edition. Blue cloth. Endpaper maps. pp xiv, 177) + 8 colour plates inserted, 7 of which are double-sided. Fine copy. Jacket has some rubbing to foot of spiine, spine and flap folds, still VG. First published 1958, reset and reprinted in 1963, this third edition adds a new introductory note by Jackson, 4 plates, and one new chapter. Jackson was one of the original Group of Seven, probably the most important group of Canadian painters of the 20th century, certainly the most popular.

Toronto/Oshawa/Ottawa: James Lorimer / The Robert McLaughlin Gallery / National Museum of Man, 1977. Beige cloth. pp (240). Colour reproductions. Ink owner name at front, else fine in VG jacket. 104 works plus text by ordinary servicemen. 1.5 kg parcel

Toronto: McClelland & Stewart, 1981. Cream cloth. 80 colour plates. Fine copy. Jacket has a couple small tears, VG+ generally. 1.9 kg parcel

Oakville, Ontario: Presswerk Editions, 1995. Black cloth, 29 cm, violet and green textured Kurotani silk endpapers. pp (18) + 2 black card leaves + 4 black card leaves containing three hand coloured woodcuts (one double page) with tissue guards, by Tony Calzetta. Text printed on BFK Rives paper, silver Calzetta drawing on front cover. Encased in a black cloth slipcase titled in silver. One very small light mark on spjne of book, else fine in fine slipcase. Total edition of 70 copies, this is #40 of the 50 for sale, signed by Metcalf and Calzetta. There were also 12 special copies with a sheet of the author's manuscript, five artist's proofs, and three handling copies. Short story by Metcalf illustrated by a renowned Canadian artist. Published at CAD 300 in 1995. A handsome book. 1.1 kg parcel.

Toronto: Hawthorn Art Press, no date (1979). pp (8), 158, [2]. B&w drawings in text. Inscribed by the author "For Tony all the best Jerrold". Corner crease to front cover, light rubbing & soiling to covers; tan stain to fore edges not penetrating into text margins; just a good copy. Morris, originally from Britain, was twice awarded a DFC by the RCAF during WWII. After the war he became curator of the Vancouver Art Gallery, chief curator of the San Francisco Museum of Art, and director of the important Morris International Gallery in Toronto. This book covers his early life and not much of his career as a curator and gallery operator.

Toronto: Society for Art Publications / McClelland & Stewart, 1962. Card covers. pp 16 text + colour and b&w plates. Gallery of Canadian Art :4. Very nearly fine. Note: light parcel, any default shipping may be reduced.

Jefferson, North Carolina: McFarland, 2001. Black cloth. pp 458. Fine copy.

Ottawa: National Gallery of Canada, 1970. Quarto. Black card covers. pp 176. Black & white and colour reproductions through. Catalogue and essay by R.H. Hubbard, Foreword by Jean Sutherland Boggs, catalogue design by Frank Newfeld. A little rubbing along to spine folds, near fine otherwise, no owner names.

Montreal: Han Art, 2013. Glossy card covers with flaps. pp (36). Colour illustrations. Text in English and French. Fine copy. Inscribed by Bachinski to a noted Canadian novelist and short story writer (and painter).

Montreal & Kingston: McGill-Queen's University Press, 1994. Quarto, black cloth. pp (xxviii), 403. 50 figures in text (most in colour), 4 b&w maps in text. Fine in fine jacket. 2 kg parcel

Toronto: Ryerson, 1956. Blue cloth. xvii, 187 pp + color frontispiece and 12 monochrome plates. Ink owner name, else fine in lightly used VG jacket. Memoirs of the Second World War by the man who is, next to Alex Colville, probably Canada's most famous war artist. .

Toronto: arts / canada, 1967. 20 pieces, including the flexible 7 inch 33 1/3 RMP phono disc, laid into a silver card portfolio. Collated complete. Contents fine, portfolio has rubbing, a little use, good.

Toronto: artscanada, 1973. Card covers. Contains on pp 17-36 J.E.H. MacDonald's West Indian Journal. Colour and b&w reproductions. Small chip and tear at foot of spine, small corner crease to front cover, VG otherwise.

(Lethbridge, Alberta): (University of Lethbridge, 1977). Oblong octavo, card covers. pp 65. map, 30 sepia illustrations with text. Fine copy. Author's sketches made on his Asian travels over the previous 12 years. He was with the Dept. of Geology in the University of Lethrbridge. Signed by the author, May, 1977.