Toronto: Basilike, 1976. (32) pp, octavo, card covers. Covers have some faint dust soiling; small soft crease to spine ends and outer corners, else fine. Published March, 1976, in an edition of 175 copies printed by Henry Morris at the Bird & Bull Press. Note: lighter parcel, any default postage rate may be reduced.

Hanborough, Oxford, England: Hanborough Parrot Press, 1990. Colour printed cloth with spine and cover labels. pp 45, [3]. Well illustrated in black and white. #90 of 170 copies, this is one of 85 uncoloured copies. Only 25 copies were fully coloured & 60 partly coloured. David Jones, Enid Marx, Edward Burra, Leadenhall Press, William Nicholson, others. 56 books in the checklist. Front cover a bit (seasonally?) splayed, else fine.

East Aurora, New York: 1918. Quarto, pp 32, string tied in tan card covers printed in green and red. Numerous photos (one in colour), vingette illustrations in light green in lower margins. Light foxing to first and last page; crease to upper outer corner throughout; VG clean & uworn copy otherwise. Though not stated, this was clearly printed by The Roycrofters. Scarce.

Hammersmith (London): Hammersmith Publishing Society, 1902. Variant pale blue-grey boards with white parchment spine, spine lettrered in black, fore edges rough trimmed. pp [2], [40]. [2], unpaged. Printed on laid paper at the Chiswick Press and bound by The Doves Bindery. Soil spots to covers, remains of a pouch inside rear cover, the hand-lettered author name on the spine has some flaking, with loss of some letters of the author's name; else a VG clean and unworn copy. Edition of 300 copies on paper, from a total edition of 310.

(Dundas, Ontario): Aliquando Press, 2014. Octavo, 22.3 x 14 cm. Grey card covers with yapp fore edges, paper spine label, white strips threaded through covers, green endpapers, colour illustrations and title page, headers in gold. pp (36). + frontispiece and 9 full-page colour illustrations on five leaves; erratum at rear. "The text is based on the 1910 edition of POEMS OF FELICITY, retaining much of Traherne's idosyncratic spelling. This edition was designed, illustrated, printed, and bound by William Reuter at The Aliquando Press. Garamont type was printed on Hanemühle paper and the linocuts on handmade Udabon B paper. The book was bound with Zander Elephant Hide paper. Of 35 copies produced in November 2014, numbers 1 to 5 include an extra suite of signed printed. This is copy number 33". Fine copy.

London: Fanfrolico Press, no date [1929]. Original black cloth with small embossed cover label, spine gilt titled. pp [29, unpaged], [3, blank], fore and bottom edges untrimmed, laid paper. Includes Lindasy vignette illustration on title page and four full page b&w illustrations of Aphrodite statues.. #423 of an edition of 500 numbered copies. Mild wear to lower edges of covers; rear cover has faint damp stains, slight cloth bubbling, and small cloth abrasions along lower margin; cover label lightly foxed; VG otherwise, internally fine, no owner names.

Toronto: Roger Ascham Press, 1986. Brown quarter morocco and orange illustrated cloth, brown endpapers and fly leaves, colour decorations. pp (12), (97). #27 of 120 numbered copies. A fine copy, lacking the slipcase."This book is printed by letter-press on damp hand made paper from Ferdinando Amatruda's Mill in Amalfi Italy. Wood engravings are hand cut on box wood and printed from the original blocks. The type face is Bruce Rogers' Centaur, handset for optical even spacing; The text is 12 on 15 points. The poem titles in 14 pt Arrighi Italic. Endpapers are Swedish Ingres, The binding is Oasis Goatskin with linen batik by Muriel McDonagh using traditional Greek motifs. Design, hand-printing and binding by George McDonagh."

Toronto: Roger Ascham Press, 1986. Orange quarter morocco and orange and white batik illustrated cloth, brown endpapers and fly leaves, colour decorations. pp (12), (97). #43 of 120 numbered copies. A fine copy, lacking the slipcase."This book is printed by letter-press on damp hand made paper from Ferdinando Amatruda's Mill in Amalfi Italy. Wood engravings are hand cut on box wood and printed from the original blocks. The type face is Bruce Rogers' Centaur, handset for optical even spacing; The text is 12 on 15 points. The poem titles in 14 pt Arrighi Italic. Endpapers are Swedish Ingres, The binding is Oasis Goatskin with linen batik by Muriel McDonagh using traditional Greek motifs. Design, hand-printing and binding by George McDonagh."

Westport, Connecticut: Richard W. Ellis, The Georgian Press, 1929. Quarto, tan boards with paper spine label. pp (4), (25), [3]. Fore and bottom edges rough trimmed. Bit of wear to spine ends, sticker scar in corner of front cover, slight wear to outer corners; VG externally, internally fine. #333 of an edition of 435 copies. The poem was first published London, 1774.

Toronto: David B. Kotin / The Nightshade Press, 1988. 24 x 14.5 cm, pp (16), sewn, in blue textured card covers. Fine copy, with prospectus leaf laid in. #62 of an edition of 100 copies, issued to mark the centenary of O'Neill's birth. Designed, typeset, and printed by Glenn Goluska at The Nightshade Press. Blemie was the O'Neills' beloved Dalmatian, who died of old age in Dec., 1940. O'Neill wrote the piece to comfort his grieving wife.