Berkeley, CA: Chicano Studies Libraries Publications / University of California, 1982. pp (xxiv), 295, card covers. Some rubbing to the covers, VG otherwise, no owner marks.

New York: Farrar, Straus & Giroux, 1968. Pink cloth. Sunning to the purple topstain, as usual, else fine. Price-clipped jacket is nearly fine, with crease to rear flap, faint tanning to spine, rear panel.

Santiago de Chile: Zig-Zag, 1953. 3rd edition (first was in 1940). 8vo, blue cloth lettered in black. 269, [3] pp. Light sunning to front cover and two small light spots to spine; front free endpaper has a Santiago bookseller's ticket and a 1955 ink inscription; else a VG clean and unworn copy. The first collected edition of the poetry of the great Chilean poet who won the Nobel Prize in 1945.

Tulsa, OK: Council Oak Books / Hecate with the University of Tulsa, 1987. [8], (103) pp, in glossy card covers. Fine copy, no names, no creases. Puerto Rico novel. Note: lighter parcel, any default postage rate may be reduced.

New York: Viking, 1991. Cloth & boards. Remainder stripe to lower page edges, else fine. Jacket has small soft creases, minute rubbing to spine tips, else fine. First novel of this Brazilian artist, after two books of poetry. A novel of murder, rebellion, and revenge in 17th century Brazil.

Santiago, Chile: Authors, 1974. Folio, pp [2], (2), 38, text mimeographed from typescript on rectos only, cream card covers. Crude illustrations. Covers a bit dusty, with tan soil spots on rear cover, VG otherwise. Inscribed by Ruth Gonzalez at front. Mostly poetry. Very uncommon.

Boston: David R. Godine, 1977. #144/200 copies SIGNED BY THE AUTHOR. Light rubbing to delicate spine gilt lettering, else fine in green cloth & boards slipcase.

London: Cape, 1971. Brown boards. Fine in fine jacket, an uncommonly nice copy, The great Mexican poet's first major collection in Britain. Translated by many poets of note, including Rukeyser, Levertov, Tomlinson, and Blackburn. Spanish and English texts on facing pages.

New York: Knopf, 1965. Octavo, dark blue cloth and green boards, black top page edges. Light sticker shadow on front free endpaper, just a few small tan spots to endpapers, else fine, no owner names, top page edges dark and unfaded. The George Salter dust jacket has shallow chips and one small tear ends of lightly sunned spine; very small chips to outer corners; nicks to edges; small chip to lower front panel; VG otherwise, flap price intact. First novel of the reknowed Chilean author, it won the William Faulkner Foundation Prize in 1962. Set in Santiago,

La Habana (Havana), Cuba: Universidad de la Habana, 1976. pp 44. Orange paper covers. Fine copy. Note: lighter parcel, any default postage rate may be reduced.

La Habana (Havana), Cuba: Unión de Escritores y Artistas de Cuba, 1973. pp (113), [3]. Photos in text. Card covers with flaps. VG copy. Poetry. Note: lighter parcel, any default postage rate may be reduced.

Havana: Book Institute, 1967. Review copy with slip of the Canadian distributor (Progress Books) laid in. Thick octavo, grey boards. (789), pp. Fine copy. Dust jacket has nicks, closed tears, and slight rubbing to spine tips, upper outer corner of front panel; VG otherwise. Photos, biographical sketches, checklists, and poems in Spanish with English translation on facing pages, of 40 Cuban poets. Note heavier book, extra shipping will be required.

New York: NY: Harper & Row, (1977). First edition in English. Cloth & boards. Fine in fine jacket. First in a series of novels (only this one yet translated into English) based on his experiences in 1961 in the protest movement against the massacre of peasants in the Central Andes of Peru. Born in Lima in 1928, he was imprisoned and then exiled in 1948 for his political activities.

La Habana (Havana), Cuba: Unión de Escritores y Artistas de Cuba, 1973. Card covers with flaps, with dust jacket which announces the Premio de teatro José Antonio Ramos UNEAC 1972. pp (96). VG copy. A play. Note: lighter parcel, any default postage rate may be reduced.

Santiago de Chile: Premio Portal de Poesía, 1970. Octavo, violet card covers. pp 31. Bit of rubbing to covers, VG otherwise. Blue ink gift inscription at front, and signed in red by the author. Poetry.

México: Fondo de Clutura Economica, 1959. Second edition, revised & enlarged (first edition was in 1950). Octavo, card covers. (195) pp. Bit of rubbing to spine tips and to edges of covers; one inch split to lower spine fold; half inch tear to lower edge of front cover; VG otherwise, no previous owner names. "The labyrinth and solitude are both themes that commonly recur in Latin American literature. This essay on the Mexican character is felt by many to be Paz's most important prose work".

La Habana, Cuba: (La Tertulia), 1964 (for 1965). pp 17, stapled, laid into dust wrapper. Some rubbing to edges of wrapper, text paper yellowed, partial separation at rear, VG otherwise. Cuandernos de Prosa 6. Note: lighter parcel, any default postage rate may be reduced.

Falls Church, VA: Azul Editions, 1998. Octavo, glossy card covers (not issued in hardcover). Fine copy. Previously published in English in 1976 as Songs of Protest. Note: lighter parcel, any default postage rate may be reduced, depending upon your location.

New York: Farrar, Straus, 1947. Octavo, green cloth. Yellowing to page edges, else fine, no owner names. Dust jacket has both corners of front flap clipped; spine lightly darkened, with slight rubbing to folds; rubbing and small corner chips at ends; rear panel lightly soiled and yellowed, with large tears to upper outer corner internally repaired with old, now yellowed, cellotape; yellowing and rubbing to flap folds; in all, good, but still respectable in appearance. The highly regarded Chilean author's first novel, La última niebla (1935). Jacket blurb by her friend Jorge Luis Borges ("Stories of melancholy magic."). Bombal was living with Pablo Neruda when she wrote the book. She re-wrote it herself in English for this edition.

Santiago, Chile: Nascimento, 1929. A later printing (first was in 1915). Octavo, 56 pp, in cream card covers. Short tears at spine ends, text paper inevitably toned, else a VG copy, leaves unopened at edges. Armando Moock Bosquet (1894-1942) was a prolific Chilean playwright.